Members of the Hout Bay Strings Project.Moshito works on behalf of musiciansto address issues such as piracy and thegrowth of a live performance circuit. (Image: The World Bank) Arts and Culture Director-General Themba Wakashe delivers the opening address at Moshito 2008, with Gerald Seligman of Womex (left) and Arnold Mabunda ofMoshito (middle). A performer from the Nokwe Creative Development Foundation entertainingvisitors in the Moshito exhibition area. (Images: Janine Erasmus)Janine ErasmusMoshito, South Africa’s premier music conference, celebrates its fifth anniversary in 2008. The conference opened on 10 September, with Arts and Culture Director-General Themba Wakashe and Moshito chair Arnold Mabunda expressing confidence that this year’s event will be the best yet. Moshito takes place in the cultural precinct of Newtown, Johannesburg.2008 saw Moshito entering into a new relationship with Womex, globally regarded as the premier platform for world music. Moshito is one of several partners, known as Womex offspring, in countries around the world who work with Womex to tailor a local event to the precise needs of a specific audience and market.In addition, the Moshito exhibition features a wide variety of private and public organisations from the South African music industry, from record companies to software to new technology. A listening booth allows up-and-coming artists, producers and songwriters the chance to play their demos for industry professionals. Finally, the live music component includes a number of concerts at venues around Newtown, featuring fresh South African talent.In 2008, audiences can look forward to international speakers such as Womex director Gerald Seligman from the US, CEO of the UK-based Association of Independent Music Alison Wenham, president of the Brazilian Association of Independent Music Roberto Carvalho, festival organiser Many Ansar from Mali, Rulu Arts Promoters director Charles Muyimba from Tanzania, concert producer Hans Hjorth from Sweden, and Rubber Records MD David Vodicka from Australia.Discussion topics range from more efficient organisation of festivals to new formats and trends in promoting, marketing and selling music, to compliance with and enforcement of intellectual property rights, to strategies for survival in the digital age.Addressing important issuesMoshito launched in 2003 as a vehicle to address a number of pressing issues in the South African music industry, among them increasing piracy, the development of music markets for South African music, particularly abroad, and the need to create proper social benefit and welfare structures for musicians.Its strategies include broadening the business intelligence of industry members, strengthening relevant business networks and creating opportunities and platforms for South African music at home and abroad. The organisation works with a number of South African music associations and unions to shape them into a cohesive group, and also collaborates closely with local and provincial government and the national Department of Arts and Culture (DAC).The DAC has identified the music industry as one of its priorities. “We want to ensure that the creative industries are developed way beyond the 21st century so that they can realise their potential of contributing substantially to the economy,” said Arts and Culture Director-General Themba Wakashe, delivering the opening address at Moshito 2008.Wakashe said that culture in general is a vital tool for social cohesion as it is a source of national pride, and is a key provider of jobs and income as well as an important contributor to the country’s economy that should not be overlooked.“Our involvement in Moshito is part of government’s broader plan to grow the local music industry,” he said. “South African music should become globally competitive, and for that we need capacity and a solid base of highly informed participants.”Overcoming challengesSpeaking at the opening of the event, Moshito chair and music industry stalwart Arnold Mabunda said that the challenges encountered in growing the local music industry are continually offset by progress and achievements.He named several Moshito milestones, starting with the expansion of the conference to include the music exhibition in 2004. The very next year saw Moshito exhibiting at the South African pavilion at Midem, the world’s largest music industry trade fair, held annually in Cannes. In 2006 two important local bodies came into being – the Association of Independent Record Companies, and South African Music Exports which represents exporters of local music.In 2007 the Southern African Development Community participated for the first time at Moshito, and the Composers’ Association of South Africa was formed, joining a number of other associations including the Creative Workers’ Union of South Africa and the Southern African Music Rights Association as members of Moshito.Mabunda added that the partnership with Womex has enabled Moshito to source more international speakers who share their experience and expertise with local practitioners, particularly in the digital arena. Moshito, he said, has become a recognised forum where issues are aired, thrashed out and resolved, connections are established, and South African music gets its chance to shine.“We have delegates coming from around the country and overseas and also quite a few from Africa. They all come from a broad section of areas of the music industry and Moshito gives a rare chance to meet face-to-face and find ways of working together.”An important economic sectorSouth Africa’s music industry, with other so-called creative industries, is South Africa’s fifth-largest economic sector and not only generates revenue, but creates job opportunities. The entire scope of the creative industries, according to the DAC, is worth about R7.4-billion ($920-million), and more than 100 000 people are employed within film, television and music.Minister of Arts and Culture Pallo Jordan said that the South African music industry has the potential to become a major foreign exchange earner and job creator, provided its potential is maximised and its products marketed aggressively at home and in the international music market.Speaking at the inaugural conference of the Creative Workers’ Union of South Africa in September 2007, Congress of South African Trade Unions General-Secretary Zwelinzima Vavi said, “The core of the South African music industry employs approximately 12 000 people, of which the majority are artists and composers. The gross turnover of the core of the industry is approximately R900-million ($111-billion), with experts estimating that the entire industry is worth R2-billion ($248-million).” The turnover figure named does not include digital sales of music.Do you have queries or comments about this article? Email Janine Erasmus on email@example.com.Related articlesSouth African music Useful linksMoshitoDepartment of Arts and CultureSouth African musicSouth African Music ExportsNational Organisation for Reproductive Rights in MusicSouthern African Music Rights OrganisationCreative Workers’ Union of South Africa
Why Tech Companies Need Simpler Terms of Servic… A Web Developer’s New Best Friend is the AI Wai… Related Posts Top Reasons to Go With Managed WordPress Hosting If an agency has ever pitched you on outreach to women’s blogs and they don’t mention the BlogHer network, there’s something wrong with them. BlogHer and its 2,500 contributing blog affiliates are celebrating the network’s 5 year anniversary with the combined traffic of 21 million unique visitors per month and some huge lessons learned along the way. ReadWriteWeb spoke to co-founder Elisa Camahort Page to find out what it’s like to run a women’s network in a man’s world. According to the Catalyst Census, “From 1995 to 2005, the average rate of increase in women’s representation on Fortune 500 corporate boards was, on average, one-half of one percentage point per year. At that rate of growth, it would take another 70 years for women to hold approximately 50 percent of Fortune 500 board seats and reach parity with men.” Tags:#start#startups Page explains that the market was ripe for BlogHer from the very beginning as media began to latch on to the idea of women’s representation in technology, science and business. In 2004, Page and co-founders Lisa Stone and Jory Des Jardins created the BlogHer Conference in an effort to answer the media question – where are the women bloggers? As the conference came to fruition, the three were immediately flung into the spotlight with media coverage from CNN and MSNBC. Says Page, “We knew then we were on to something and we decided to make it a business.”A year later the conference lead to a publishing network and a diverse range of female bloggers joined forces with the trio to promote discussion across their domains. After 18 months of bootstrapping with their own funding, the co-founders raised $3.5 million from Venrock and have since raised an additional $13 million to build out the 20+ topic channels. The network currently syndicates to iVillage, Oxygen.com and BravoTV.com. While other publishing networks of this size often opt for a wholly automated system of content aggregation, home page features and related blog links, BlogHer has a commitment to curation. Says Page, “It’s not just about the traffic, we want to ensure that diverse voices come through in order to generate more discussion. We’ve got a headline editor who looks for topics we want to explore and we take care to feature interesting content.” Featured pieces are then served across the publishing network to the 2,500 affiliate blogs and relevant pieces are linked alongside a blog owner’s own content. When asked what keywords (other than “BlogHer”) drive the most traffic to the network, Page replied, “Women are not a monolithic block who think, act or buy in the same way. It differs from week to week, but for instance, in 2008 the keywords all revolved around the election or the economy. The areas of interest that drive traffic are not much different than other blogging networks.” The one topic that rally’s Page’s diverse community is female representations in the media, workplace and of course, on the Web. In the backlash against a particularly bad YouTube campaign launched by Motrin, BlogHer was among the first communities to retaliate with a Motringate. The consumer trust, distribution and collective spending power of the BlogHer community is enough to make or break a household brand. As Page and her co-founders begin experimenting with targeted feed and podcast programs, advertisers may find even more opportunities to test their mettle in this female media landscape. To check out the network visit blogher.com. dana oshiro 8 Best WordPress Hosting Solutions on the Market
The Government has allocated $32 million to the restoration of the Ward Theatre as one of the ‘Jamaica 55’ legacy projects. The restoration project is being undertaken by the Ministry in collaboration with the Kingston and St. Andrew Municipal Corporation. “By August, the facility will be restored to a level that it can be utilised for events and will play an important role in the commemoration of the anniversary of the United Nations Educational, Scientific and Cultural Organization (UNESCO) designating Kingston a ‘Creative Music City’,” Ms. Grange said. Story Highlights The Government has allocated $32 million to the restoration of the Ward Theatre as one of the ‘Jamaica 55’ legacy projects.Minister of Culture, Gender, Entertainment and Sport, the Hon. Olivia Grange, made the announcement during her contribution to the 2017/18 Sectoral Debate in the House of Representatives on Tuesday, May 30.The restoration project is being undertaken by the Ministry in collaboration with the Kingston and St. Andrew Municipal Corporation.Work to restore the building, constructed in 1912, commenced on May 23 as one of the National Labour Day projects.This included repairs to the changing room and 13 bathrooms at the facility, as well as exterior and interior painting, fumigating and plumbing.“By August, the facility will be restored to a level that it can be utilised for events and will play an important role in the commemoration of the anniversary of the United Nations Educational, Scientific and Cultural Organization (UNESCO) designating Kingston a ‘Creative Music City’,” Ms. Grange said.Kingston was designated a Creative City of Music by UNESCO in 2015.Meanwhile, Ms. Grange said the Ministry will be seeking to capitalise on the Blue and John Crow Mountains World Heritage Site.On June 8, the third and final gateway sign to the area will be unveiled in Port Morant, St. Thomas.The move forms part of a strategic marketing campaign to raise the heritage profile of communities in which the signs are located.Gateway signs in Papine and Port Antonio, as major access points to the area, were unveiled in 2016. Ms. Grange anticipates that the programme will facilitate increased tourism traffic at the World Heritage Site.The Blue and John Crow Mountains was inscribed on UNESCO’s prestigious World Heritage list in 2015.A nomination file has been submitted to inscribe ‘Reggae Music of Jamaica’ to the UNESCO representative list of Intangible Cultural Heritage for Humanity.
Comment Share your voice Facebook’s had a rough couple of years. With revelations that its platform was twisted into a tool for election interference, propaganda and harassment, as well as a breeding ground for hate speech, it’s hard to feel good about the social network these days. So Facebook has partnered with The Telegraph, a major UK newspaper, to publish more than two dozen stories as part of a promotional campaign to burnish its image. The series, called “Being human in the Information Age,” includes articles ranging from defending Facebook’s mission to “bring the world closer together” to primers on how the social network is handling cyberbullying, free expression and scammers. The partnership was first reported on by Business Insider. “There’s no doubt that the internet has changed our lives,” the introduction for the series says. “Here, we take a closer look at new challenges raised by the internet like fake news and data privacy — and how social media is tackling these challenges.” A Facebook spokeswoman said the sponsored articles were part of “larger marketing efforts in the UK with the goal of educating and driving awareness of our local investments, initiatives and partnerships here in the UK that have a positive impact on people’s lives.” The Telegraph didn’t immediately responded to a request for comment. 1 Facebook Politics Tech Industry Facebook, Instagram, Twitter: What’s your relationship… The move marks Facebook’s latest effort to respond to the deluge of criticism it’s faced in the past couple of years. Facebook CEO Mark Zuckerberg, who was once whispered about as a potential contender to run for president of the United States, spends most of his time in public defending the company’s latest snafu while extolling the virtues of what it offers to the more than 2.3 billion people who log on each month. Meanwhile, people’s trust in Silicon Valley has dropped. Roughly half of Americans told the Pew Research Center last year they don’t trust social media sites to protect their data, and 62% said in 2017 that they believe online harassment is a “major problem.” Facebook’s challenge with paying for positive articles, which are marked below the headline as “Brought to you by Facebook” to indicate they’re ads, is that they don’t always work as intended. Two days before a gunman used Facebook to livestream a massacre he committed in New Zealand, the Telegraph-Facebook partnership published an article titled “What action is Facebook taking to tackle terrorist content?” It profiled a London employee who works on Facebook’s counterterrorism team, touting how the company has removed terrorist content from its service. “Between human expertise, tooling [software development] and machine learning, we’re achieving extraordinary things, of which I’m very proud,” the Facebook employee says in the article. After the shooting, Facebook quickly found itself explaining why it had failed to identify and stop the gunman’s livestream, copies of which spread across the internet. The series also includes an article with instructions on how to protect your privacy on social media networks, particularly on Facebook. But at no point does it offer instructions on how to close and delete your account, a remedy a former Facebook executive has recommended. First published April 3 at 5:18 p.m. PT.Updated April 4 at 12:19 p.m. PT: Adds Facebook comment. Tags 5:14 Now playing: Watch this:
.Bangladesh Public Service Commission (BPSC) is likely to take decision about publishing the final results of the 37th Bangladesh Civil Services (BCS) exams today (Tuesday), according to some officials.They said a special meeting was convened in PSC office at 12:30pm to fix a date for publishing the results.Another official said the result might be published today.The PSC has called off the processes of 36th BCS on Monday after recommending 23 non-cadre candidates for headteachers of primary schools.The results of the written exam of 37th BCS was published on 25 October. A total of 5,379 candidates passed the exam. Initially 8,523 out of 243,476 passed the preliminary test held on 30 September.In all, 1,226 first class gazetted officers will be appointed through this BCS exam.